- #Avid pro tools 11 mac os x drivers#
- #Avid pro tools 11 mac os x upgrade#
- #Avid pro tools 11 mac os x software#
The Native version, simply PT11, comes as software only for use with non Pro Tools HD hardware, but up until now has been un-lockable, thus enabling PTHD's capabilities by buying the costly Complete Production Tool Kit (CPTK). The PT11HD version of the software is what you get when you buy an HD Native or HDX card based system, and has more tracks, busses, editing options, utilities, and so on. Some developers including McDSP and VSL have already delivered 64-bit AAX versions, both Native and DSP - thanks guys!Īs you've noticed there are more abbreviations here than a military radio message, but it's probably a good idea to define Native and HD in terms of the software.
Your 'pre 11' RTAS, TDM and 32-bit AAX plugs are loaded from the Digidesign and Avid folders respectively, and apart from the odd request from PT11 to move unsuitable 32-bit AAX plugs into the unused folder, all runs very well.Īll the big software players including UAD and Waves have pledged support, and are mostly in final stage beta for AAX native.
#Avid pro tools 11 mac os x drivers#
Once you've installed the v11 HD drivers you're good to go. So v10 remains where it always was, and v11 lives at the top level of your Apps folder. Installing v11 is done by dragging the icon into the App folder alias.
#Avid pro tools 11 mac os x upgrade#
Installing the v10 upgrade keeps everything where it is. It's going to be a while before all your favourite toys are available as 64-bit AAX, so you can run PT10.3.6 and PT11.0.1 side by side on the same machine.
What lies ahead? Run 10 and 11 in parallelĪvid has understood the need to manage this transition. Since then, to cut a long story short, it's been a bumpy, complicated and often costly ride for loyal customers, and the burning question is not 'shall we upgrade?' but rather 'can we upgrade?'.įiguring out the cost is tricky too weighing up the pros and cons of upgrades/crossgrades/software amnesties and hardware exchanges can take literally days, hundreds of diagrams and the permanent loss of vital brain cells! So, heated arguments about Avid's business models aside, let's assume we're going to make the leap. It never crashed, and behaved like a multitrack tape recorder in terms of input monitoring latency at a time when computer hardware was at the frustrating beginnings of its exponential evolution. Once upon a time Pro Tools 5 had its own hardware and was the go-to software/hardware combo for serious digital recording. " the burning question was not 'shall we upgrade?' but rather 'can we upgrade?'" No one ever said it was going to be easy. Don't get us wrong, this writer is a long-time user and a fan, and we recommend PT11 unreservedly, but before we get into the mouthwatering details of all the good stuff it's worth noting why some of us may be a little reluctant to dive right in. We wonder if the grown men in that video, grinning like idiots, high-fiving and punching the air were not so much reacting to the stunningness and innovation in what they were seeing, but more out of relief that the only DAW you can really use for high-end audio work had finally come through with what they actually needed.įor example: offline bouncing (pause for a quick chorus of Hallelujah!).
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